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The SOAS Musicology Series opens the curtain, just a little, on some of the many fascinating and diverse, beautiful and ethereal musical traditions of the world, and on the brilliant musicians, past and present, who champion those traditions. Having discovered that music is cherished by every society in the world, I wondered why the dominant understandings of music in teaching, composition, performance theory, music therapy, and so on tended to focus on Western classical and pop musics… I have since researched and sometimes performed great music in Korea, Thailand, Nepal, Zimbabwe, and Siberia.
Recognising the need to make research on world music more available, I approached Ashgate in to see if they would publish a major series. Uniquely combining language scholarship, disciplinary expertise and regional focus, it has the largest concentration in Europe of academic staff concerned with Africa, Asia and the Middle East.
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Proposals for the SOAS Musicology Series should include: a statement of aims and rationale of the book, a synopsis of the project and chapter outline, a concise CV and a sample chapter. You are commenting using your WordPress.
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Notify me of new posts via email. Like this: Like Loading Leave a Reply Cancel reply Enter your comment here Fill in your details below or click an icon to log in:. First Published Imprint Routledge.
SOAS Studies in Music Series
Pages pages. Subjects Area Studies, Arts, Humanities.
Export Citation. Get Citation. Wood, A.
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