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Be the first to review. We will let you know when in stock. Thank you for your interest You will be notified when this product will be in stock. I agree to the. Terms and Conditions. How It Works? IMEI Number. Exchange Discount Summary Fingers flipping through pages. Rifling the newspapers. I watch the way people hold their belongings and shoulder their backpacks.

I note the value they place in their things and the garbage they toss without thinking. The movement of our speech so often contained in the movement of our hands. Mine are birds when I speak, flapping until I ascend and reach the apex of my sentence. Highsmith wants the reader to know queerness in terms of the other. The other, in this instance, is anyone aside from the two women and their relationship. Their magnetized bodies are what draw us close to them as they draw close to each other. We want to know: why do they feel the way they feel? We want to know because no one understands these impulses.

We see the body here, broken up into parts. The eyes. The voice. Most of all the hands, which Highsmith uses for directional control. Touch is the thing that binds the characters. Touch is the thing that maps the body. But we understand this as readers because we are that way ourselves. How do we react in moments of pain?

Of fear? Of intense need? We stretch out our hands. We reach for the unreachable thing. We ache and want. If I drink, I can numb my brain and also the sensitivity that comes from touch. How hard is it to orgasm after three beers. Five beers in and my hands could be touching the smooth, warmed-over flesh of a melon.

Could hands address the same issues over and over again without knowing? Do hands hold amnesia cupped in their palms? How else do we describe the illusion of seduction. We imagine the hands as belonging to other people. We imagine those hands are capable of things far beyond their potential. We can use our hands not only to manipulate the physical world, but also to perceive it. These cues are highly correlated, and it is difficult to determine the contribution of each to perception. In the aptly named novel Fingersmith , Sarah Waters discusses queer hands in the same way Patricia Highsmith does.

Waters narrates from both female perspectives throughout her book. Sue eventually falls in love with Maud, much to her dismay. But again, the bodies are the ones leading the charge. The characters bodies are often tools for the protagonists to enforce their will. They find love with their hands before their hearts are willing to acknowledge any kind of true intimacy. Sex is a power dynamic.

See here, look at my hands. The spider is you. Waters makes these bodies open and accessible to the reader. Yet at the same time, their minds are closed. Both women seek ways to understand. They forsake each other, again and again, but their hands always do the most honest work. I like hands the way I like knowing the exact right thing to say in a conversation. How they open and shut, how they fold into themselves and hide things.

I want hands the way I want to know my own mind. I want them with a fierce, unknowable throbbing. Once very late at night, a friend asked what part I liked most of a body. My voice was so unsteady I could hear the ache in it. A lyrical map of the lives and loves and relationships with men, with women, with their families bustling within a community of black women who moved to Detroit when the getting was as good as it would ever be: working the lines at the Ford Motor Plant in the s.

Bechdel started writing it while living in St. This volume is the story of an active, thriving community of lesbian adults — a rarity in lesbian literature — who match every tug on your heartstrings with a good, solid drag on us all. Ramona Blue, by Julie Murphy Deliver Us From Evie , by M.

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Kerr The Miseducation of Cameron Post , by emily m danforth This gorgeous, dusty coming-of-age YA novel revives the archetypal coming out narrative through smart, dexterous writing as gripping as it is literary and a narrator who takes up residence in your heart from the start. Not Otherwise Specified, by Hannah Moskowitz But she finds a new friend at her eating disorder support group, and together they plot to audition for an exclusive New York school for the performing arts.

Nevada, by Imogene Binnie Desert of the Heart, by Jane Rule This romance between an English professor hitting up Nevada for a quickie divorce and a cartoonist with a job at a Reno casino showed that in an arid place where nothing grows, love can. Snowsisters, by Tom Wilinsky and Jen Sternick Tess, a fan fiction writer who lives on a dairy farm and Soph, a lesbian poet who attends a fancy boarding school in Manhattan, end up roommates at a week-long writing conference in rural New Hampshire.

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They grow as writers and people while dealing with the variety of other girls at the retreat including a trans girl and a TERF and, obviously, falling in love with each other. Starting, as so many lesbian stories do, in Catholic School hers in Union City, New Jersey , this memoir sees a Colombian-Cuban woman carve out her queer, political and artistic identity flush against what the women in her family have taught her about love, money and race.

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I bow deeply in admiration and gratitude. Give it to Me, by Ana Castillo Like Water, by Rebecca Podos The Price of Salt , by Patricia Highsmith You may know it as, of course, Carol. The rare light, funny queer rom-com for adults from a major publishing house, begging to be the lesbian Love, Simon.

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Rubyfruit Jungle , by Rita Mae Brown Molly Bolt always gets but rarely keeps the girl — like in sixth grade in the South, in her Florida high school and at the University of Florida with her alcoholic roommate. Beloved and scorned for its explicit portrayal of lesbianism, its pained but freewheeling narrative somehow remains relatable and entertaining as hell all these years later. Annie on My Mind, by Nancy Garden The first-ever young adult novel to create a lesbian love story with a positive ending stars year-old Liza from Brooklyn Heights and Annie Kenyon, also 17, who lives in a low-income neighborhood uptown with her immigrant parents.

Stone Butch Blues , by Leslie Feinberg Always and forever canon, Stone Butch Blues is the hard-wrought chronicle of Jess Goldberg, a working class masculine-of-center woman born in upstate New York aching to find a place where she can be herself and also employed, loved and happy. The Ada Decades, by Paula Martinac In this affecting memoir, she goes home for the harvest to discover it all anew. You can take the Midwest out of the girl, but can you take the girl out of the Midwest?

The Changelings, by Jo Sinclair Edited Out, by Lisa Haddock Then she gets wrapped up in a new story that takes her in unexpected directions: two years ago, a lesbian teacher allegedly sexually assaulted and killed a year-old, and then killed herself — and Carmen ends up nearly risking it all to find out what really happened. Juliet Takes a Breath , by Gabby Rivera This debut novel illuminates one life-changing summer for Juliet Milagros Palante, who leaves the Bronx for an internship in Portland with her favorite feminist author, diving with a thirst for experience and a general cynicism towards love into racial consciousness, her identity as a writer, her relationship to her body — and to the bodies of, you know, other women.

Dryland, by Sara Jaffee Fun Home, by Alison Bechdel Sing You Home, by Jodi Picoult When her baby lez cousin, Trout, comes to stay for a summer, Stagerlee finds a comrade when she needs it most. I could underline every word in this book that speaks emotional truth to intergenerational trauma, sexual violence, abuse, poverty, and the stories we build and tell to go on, to get naked again, to be women who survive.

Charity: A Novel, by Paulette Callen Like Me , by Chely Wright Micaela Campos is a Tejana lesbian cowgirl offering a different vantage point on the American West after the fall of the Alamo in , when Mexicans and indigenous people were under attack from white settlers. Alex Cooper fell in love with Yvette, came out to her Mormon family in her nice ordinary town, and was immediately shipped off to St. George, Utah for a treatment program — and eventually got rescued by a legal team in Salt Lake City who were ready to make history. Dismantled, by Jennifer McMahon The reckless heady ambition of four college students in a remote cabin in the Vermont woods turns fun into a tragedy.

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The three survivors want to put it behind them, but it comes back to haunt in unexpected ways in this strange and imaginative literary thriller. Dora: A Headcase, by Lidia Yuknavitch Always, by Nicola Griffith But danger finds her there, too, this time on a film set marked for sabotage. The Upside of Unrequited, by Becky Albertalli Pulp, by Robin Talley Blue Apple Switchback, by Carrie Highley Carry the One, by Carol Anshaw Sisters, by Lynne Cheney But like… it is.

She had a very popular personal blog once upon a time, and then she recapped The L Word , and then she had the idea to make this place, and now here we all are! Follow her on twitter and instagram. You need to login in order to like this post: click here. This clearly took an incredible amount of time to curate.

Thank you thank you, Riese! Cool list, yo. I think my new TBR list is just to get through as many of these as possible! Ideally at least 1 from each state. Logging into my library account now to save as many as possible…. I think I read the first 12 books in the series in about 3 months.